Contents
Tribute to Walter Tetley
Walter Tetley: Twilight of an Identity
Walter Tetley: Fountain of Youth
Random Thoughts in 2004
The Incredible Magic of Paul Frees
Frees Frame: an Interview
Paul Frees: Smoke and Mirrors
Jay Ward
Without Fanfare: The Bill Scott Story
Bill Scott Revisited
Chamber of my Mind
Fractured Fairy Tales: The Crown Jewel
Mysterious, Elusive Chris Allen
Tribute to June Foray: June of the Jungle
On the Doorstep of 1974: June Foray Trivia
June and the Dazzling Night Sky
June Foray: That Bewitching Cackle!!
June Foray: More than a Woman
Daws Butler's Corner
Unmasking Daws
Showcasing Daws' Talent
Daws' Song
Honorable Mentions: the Other Voices
Walter's Radio Career
Walter's Radio Career Part 2
A 19th Century Carousel
Sound Bites
Peabody's Pony Express
Links
About us
Email us
Mission Statement



THE CROWN JEWEL(continued)

I loved the stories with witches, dwarfs, queens and frogs. One of my favorite Fractured Fairy Tales, of all time, starts out: "Once upon a time there was a year that was a very bad year for witches…….They were everywhere: big ones, little ones, ugly ones……….". The beginning of that tale even showed the year 1960 (when the cartoon was made), and flashed back to circa 1100 A.D. (that was a neat way of evoking a very special mood----along with the gloomy backdrop of the opening scenes).

Another unique thing about the Fractured Fairy Tales: unlike most of Jay Ward's cartoons there were no recurring characters. You might see the same fairy tale spoofed two or three times-----but it was always basically the same story line and the characters did not come back in "to be continued" plots. I loved this! I loved this in the same manner that I loved some of the old Warner Brothers cartoons which had a few stories with non-recurring characters. Just as I liked many of these Merrie Melodies/Looney Tunes characters, who appeared once, better than the Bugs Bunny and Porky Pig characters, I also liked Jay Ward's "one-time Grimm Brothers characters" better than most of the rest of his animated heroes. I guess you could say that it made them special, that you only got to spend five minutes with them, and that was it.

These reproductions of Grimms' Fairy Tales would have been nothing, however, without the great voices. As much as I have extolled the virtues of their animation, anyone who views them today will admit that much of the animation was somewhat primitive (although there is some charm, even in that, of course). There were so many character voices in these stories that I loved. I'll try to list just a few of my favorites:

  1. Kings, played by Daws Butler, which almost invariably sounded like Cap'n Crunch (I adored that voice)
  2. Witches and Grannies, played by June Foray: no one can do witches or sweet old ladies like her; they are always so PERFECT
  3. Grouchy, nasty mothers-in-law played by June: I've said a lot about this on the Walter Tetley Web Page already; if you have ever heard this voice, it pretty much speaks for itself.
  4. Dim-witted fools or henpecked husbands, played by Daws Butler: usually they sounded just like Jinx the Cat from Hanna-Barbera (and he used this voice for cats in these fairy tales a lot too).
  5. Adorable, sweet, little boys, that tugged at your heart strings, played by Daws: again, he used the same voice that he used in many of Hanna-Barbera's "toons"----Elroy Jetson, Augie Doggie and Lambsy, for example.
  6. The Prince, played by Daws: he almost always used the same voice----it was usually a character only in his 20s or 30s. Jay Ward and Bill Scott used to laugh and call it "the fag prince" (according to Keith Scott, in his book, The Moose That Roared). I happened to think it was a GREAT British accent; one which I copied "to a T", in a Christmas play (and was later told by a few friends, had they not known me, they would have thought I was English!!).
  7. Ogres played by Daws: I later read in Keith Scott's book that this was supposed to be Daws' imitation of Jackie Gleason. I'm glad that it did not sound exactly like Jackie Gleason. This mean and gruff voice, "sans Jackie's personality" was perfect for ogres and ugly villains.
  8. Paul Frees----because Paul Frees did very few voices in the Fractured Fairy Tales (according to Keith Scott, Paul only filled in when Bill Scott had a cold and could not perform), this made the few fairy tales, that he did do, very special for me. These particular voices that he did were not "extremely" great. Nevertheless, it was still neat to hear him those few rare times. In one episode he played a frog, which a witch turned into a prince. In another, he played a wacky king, who sampled a great variety of pies-------including-------A TOBACCO PIE!!! (yes; you read that correctly!).
  9. Edward Everett Horton: The name speaks for itself----he had a charming, beautiful, almost musical grandfatherly voice----perfect for narrating fairy tales to children.

If you weren't already a Fractured Fairy Tales fan before reading this, I hope that maybe you will be someday. If you thought they were "just OK", I hope maybe you will reconsider that thought, and reevaluate them if you get a chance to view them again. Finally I will say, though some of these "bastardized versions" of the Grimm tales were not very good, MOST of them were great entertainment (There were 91 fairy tales; you can't help but have at least one or two "lemons"). A few of them really surprised me, as being just as good as the original, IF NOT BETTER. Sleeping Beautyland is a perfect example of that.

If you could package all 91 Fractured Fairytales into 2-hour videos, you would need three videos to do it (they are roughly 5 minutes a piece; that's 455 minutes). I'll be the first in line to buy all three, if that day ever comes! The great thing about these 5-minute stories is that they sometimes pack in a LIFETIME before they are over! I so often walk away from these tales, feeling richly blessed (and as if I were departing with my own "crown jewel"!).

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